Design Series： 浓缩已知（2015-2022 年）

Humans are inevitably unable to escape the microcosm of everyday life. Regardless of their form, the things that make up the human world are everyday objects. Observing those objects and scenes that depend on human presence, feeling their independent and tranquil existence (these small existences), makes Li Feng believe that when a person’s emotions are invested in everyday life itself, then everyday objects possess a certain spiritual energy in their unadorned state, each displaying a myriad of miniature weather phenomena. They seem to have no secrets, yet each has its own privacy.

就像诗人用文字建构意义的模糊性一样，李峰同样用大量的符号建构发人深省的作品–从长凳、蛋盒或鼓套件等日常物品，到文字、展开的骰子或周期系统结构等语言形式的运用。 然而，在李峰神秘的画面中，这些符号似乎被打上了反思的烙印，失去了平实的特征，进入了存在的境界。 Through this rational and contemplative approach, the Chinese artist discusses notions of uncertainty and absurdity, the tangible and the elusive, or the material and the spiritual.

In Condense the Known, the artist pieces together glimpses and ambiguous cross-sections of reality, reflecting on Li Feng’s evolving perspective, experience, and understanding of the world surrounding us—focusing on everyday objects, entering forbidden territories, and thus finding new metaphysical realities, dissolving the distinction between truth and illusion.